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#ghibli

10 publicaciones10 participantes0 publicaciones hoy
Pública
Annie Hsh 👾🖖☕

37 years ago, on April 16, 1988 'My Neighbor Totoro' and 'Grave of the Fireflies' by Studio Ghibli were released in Japan as a double feature. Two films rather different in tone and themes, one exploring the topic of loneliness and the other depicting the horrors of war during WWII, both equally masterful in storytelling and animation.

The two film posters, to the left My Neighbor Totoro showing a little girl standing in the rain holding an umbrella just above her head, beside her there is Totoro, a large furry creature with grey fur, whiskers, and beige belly with grey arrows pointing upwards on his chest, wearing a single leaf on his head seemingly protecting him from the rain. To the right the poster of Grave of the Fireflies, showing a young boy carrying an even younger girl on his back, while also carrying a torn, beige umbrella, with a dark sky behind them lit by several tiny lights reminiscent of fireflies.
#OTD#StudioGhibli#Ghibli
Pública
Véronique Gvds

“Le studio Ghibli n’a toutefois pas été consulté, crédité ni rémunéré pour cette utilisation. De quoi relancer la question des droits d’auteur relative à l’IA générative ; celles-ci étant nourries de créations d’origine humaine, qu’elles sont entraînées à imiter pour en produire de nouvelles versions. Le tout sans rémunérer ni créditer les artistes concernés.”

#IA #ghibli #Miyazaki #droitsdauteur #beauxarts #art #ChatGPT
beauxarts.com/grand-format/le-

Beaux Arts · Le succès massif des images façon studio Ghibli générées par ChatGPT relance la question des droits d’auteur face à l’IAPor Joséphine Bindé
Pública
vic-tor-menta

si la #IA ha venido para quedarse habrá q hacerle un sitio en nuestra ética

un amigo q usa #ChatGPT para elaborar informes, y una amiga q la usa para corregir fallos de programación en páginas web me decían q se ahorran muchas horas de trabajo

pero luego, ya que están, se ponen a pedirle #ilustracion tipo #Ghibli

Si la IA fuera como un coche, que contamina pero es necesario (más en el campo) será q la diferencia es usar el coche para ir al trabajo o cogerlo para ir a por el pan a la esquina

Pública
fcr

Deutschlandfunk's program "Corso - Kunst und Pop" interviewed me two weeks ago, in German, on the current trend of AI-generated memes in Studio Ghibli's visual style

deutschlandfunk.de/medienwisse

In a nutshell, I said that neither AI-generated fake Studio Ghibli images are new (they could be created, for example, with third-party Stable Diffusion LoRAs for about two years), nor the use of algorithms and generative AI in animation (for example, for drawing backgrounds and in-between frames) - but that we're simply seeing the convergence of trolling, meme culture and manipulated political propaganda images [that already existed in early 20th century fascism and Stalinism] where the main function of AI image generators is to simplify, deskill and industrially accelerate meme generation.

Das Bild zeigt eine Diskokugel unter blauem Himmel, an einem Kran hängend. In der unteren Bildhälfte ist ein halbtransparenter blauer Halbkreis zu sehen.
DeutschlandfunkMedienwissenschaftler Florian Cramer über Memes im Stil vom Studio Ghibli
#ghibli#studioghibli#ai
Pública *
Dave Rahardja

Every time I see a #Ghibli AI picture, my heart dies a little. Every time an image is made, we are all impoverished a tiny bit. A small shred of respect is lost for an old man and his crew toiling months at a time on seconds of animation, to tell stories of beauty, empathy, and humanity, a man who loathed #AI from its earliest days as an affront to life itself.

Every time a cartoon facsimile is generated and used for a lark, a token bit of our common heritage is stolen, ground up, repackaged, and regurgitated like so much chewing gum, boiling gallons of water and spewing carbon to entertain someone for a moment with images as vapid and forgettable as the next.

Every time I see one of those images, I scroll past and shake my head a little.

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