"#Sustainability for Whom? Challenging Power and Privilege in the Global Order" – Keynote by Hibist Kassa (univ. Leicester & #MIASA Fellow 2024)
Commentary: Andrew Thompson (Univ. Oxford)
05.05. | 6 PM | Sciences Po Paris
HT @Lazarou
Strong #solarpunk vibes here, 'weaving' a public building!
"As architects, we need to unlearn everything we have been taught. Our idea of progress is completely based on #colonialist, #extractivist practices. People talk about #sustainability, but what exactly are we sustaining?" - Architect, #AnaMariaGutiérrez
https://www.theguardian.com/artanddesign/2025/feb/21/organizmo-the-colombian-architects-overturning-colonialist-sustainability-ideas
#SolarPunkSunday #Colombia #CenterForRegeneration #Weaving #PostColonialism #Decolonize #Architecture #Bamboo #TraditionalIndigenousKnowledge
It is with great joy that we announce that, at the conclusion of the fifth and sixth editions of the FCT's CEEC, the IHC has been awarded five new research contracts!
We tell you all about it here: https://ihc.fcsh.unl.pt/en/ceec-five-contracts-ihc/
"Our mother aches
Iron claws dig until she breaks
And she bleeds for this
How much is enough?
I remember listening to songs of the sun
For all those, who’s breath was stolen
Who’s future was taken away
Who learned too late
CHORUS:
And so we sing again
To the house of dawn
There are no words, no words that can right these wrongs.
This land breathes pain
And nothing grows
that doesn’t carry the trauma
that we’ve wept, that you sow…
CHORUS
this empire of blood and bones
of stolen, poisoned, homes…
genocide… mutilated ghosts…
fierce hearts lay buried… their struggle speaks…
fierce hearts lay buried… saying…
“leave it in the ground…”
While the mines lay abandoned – What has been done?
Wells poisoned… nothing has been done?
Cancers spread… tell me, what has been done?
To right these wrongs! To right these wrongs!
CHORUS
deafening the screams
grinding down the gears
you can’t hear them cause your window is closed
and you’ve surrendered your power to your fears
There’s a market for everything…
social media exists
so you keep on consuming…
it’s revolutionary chic and at least you “liked” and shared…
for liberation…oh what a loaded word…
and you’ve marched quietly along
and you’ve marched so complacently along
one brutal violent machine pressing against another (3x)
crushing all our dreams, and all we desire
the price is paid in blood and we know what its worth…
the price is paid in blood…
capitalism is the enemy…of mother earth. (2x)
deafening the screams
grinding down the gears
you can’t hear them cause your window closed
and you’ve surrendered your power to your fears
one brutal violent machine pressing against another
you’ve surrendered your power to your fears
one brutal violent machine pressing against another
you’ve surrendered your power to your fears
I will hold your hand
At the edge of this world
As we watch it burn to the ground
I will hold your hand
At the edge of the dawn
And laugh and wonder at the new days we’ve found
they will not suffocate this fire
it burns from our hearts
so long as we hold this inside
they can never take this from us
how much can you take?
how much can you give?
there is no post-apocalyptic
oh this is it
how much can we bleed?
till were up off our knees?
there’s no post-colonial, we live it
they will not suffocate this fire
it burns from our hearts
so long as we hold this inside
they can never take this from us
if this is our grave
such a wondrous bed we’ve been made
only so much we can bleed
so much more than we’d ever need
I will hold your hand
At the edge of this world
As we watch it burn to the ground.
Peabody‘s drag lines across the landscape
like militarized borders that carve this police state
1974 government pens wrote, “relocate”
divide and conquer, 14,000 and today?
We know this nightmare because it repeats
’till something breaks
An act of liberation
Yes we all know it’s the rich against the poor
class, race, gender, and mother earth just a resource
globalization is colonization and colonization is always war…
We know this nightmare because it repeats
’till something breaks
An act of liberation!
Industrial capitalist hetero-patriarchy
We know the story of so many manifested destinies
From the broken bones of broken homes and violated boarding school dreams
We know this nightmare because it repeats
’till something breaks
An act of liberation!
From Big Mountain to Palestine, relocation is genocide.
We stand against all wars and occupation
Against nationalism, against state sponsored terrorism
the free market non-profit industry
accountable to foundations no not community
paychecks for activism, for justice or just them?
But this ain’t no revolutionary commodity…
It’s an act of liberation
An act of liberation!
it’s only a matter of time
it’s only a question, an affirmation
of who we are and who we’ve have been
reconnect the dots
trace back the memories
its only a matter of time
until our words match our actions
CHORUS:
these laws, these borders, these walls, will fall
it’s only a matter of time, it’s only a matter of action
How much can we pretend,
that we’re not complicit in our silence?
how much longer, until these times get so desperate?
the beating in our hearts
a rhythm we can’t shut out
calling us to action, call us to action…
CHORUS
its a matter of action.
these are desperate times calling for desperate measures
these are desperate times calling for desperate action
its a matter of action.
Time for action
Following paths
so many ways to wander
so many ways I’ve wondered
always the question biting at my heel
sometimes its too much to feel
open hearts bleed
strong hearts deceived
where were you in this time of need?
following paths so many ways to take it on
so many ways we’ve lost
always the question expressing the real
sometimes its too much to feel
open hearts bleed strong hearts deceive
where were you in this time of need?
where were you?
your shadow still cast
all that we lived past
your words still linger
if we could peel back the time
uncover the wounds so they can really heal
sometimes its too much to feel
open hearts bleed strong hearts deceive
where were you in this time of need?
where were you?"
https://www.youtube.com/watch?v=LEBhDVnzG_s
#AnActOfLiberation #Degrowth #TimeForAction #ATimeForLiberation #ATimeForAction #AMatterForAction #AnActOfLiberation #PostColonialism #ResistTheMachine #ResistHeteroPatriarchy
Un bouquin qui traite de l’histoire des #femmes dans l’histoire de la #musique populaire. Des trajectoires #queer et #lesbiennes , du sexe, du #postcolonialism , bref une illustration sublime d’un des axes du travail de la @Discotheque_Feministe ! On adore, on partage !! #larata #despentes #virginiedespentes
#Solarpunk and #Indigenous Perspectives: A Call for Community and #NatureBased Approaches
Incorporating Indigenous perspectives and traditional ecological knowledge into Solarpunk can promote a more community and nature-based approach to #sustainability and #RenewableEnergy, and address key social and #environmental challenges in an ethical and just way.
by Mediocre-Horse-2350, 2022
"Solarpunk is a cultural movement that envisions a positive future where sustainability and renewable energy are at the forefront of society, and social structures are reimagined to create a more equitable and just world. But Solarpunk has yet to fully incorporate Indigenous perspectives and ways of knowing, despite their potential to contribute valuable insights and solutions to contemporary environmental and political challenges. This essay will explore the benefits of incorporating Indigenous perspectives into Solarpunk, explain how this can shift our focus towards a more community and nature-based approach, and address key problems in modern society.
"Indigenous perspectives on nature differ greatly from Western perspectives, which often view humans as separate from and above nature. In contrast, a lot of Indigenous worldviews typically understand humans as equal to and a part of the natural world. This perspective emphasizes the importance of community and connection to the environment and recognizes the interdependence of all living beings. Incorporating these perspectives into Solarpunk can help shift the focus away from individualistic and exploitative approaches to the environment and towards a more community-based and regenerative approach.
"One way in which Solarpunk can incorporate Indigenous perspectives is through the use of traditional ecological knowledge (TEK). TEK encompasses Indigenous knowledge and practices related to ecological management and can offer valuable insights into sustainable and regenerative practices.
"For example, traditional land management practices such as prescribed burning have been shown to reduce the risk of wildfires and promote biodiversity. Incorporating TEK into Solarpunk can lead to more effective and holistic approaches to sustainability and renewable energy. (Here is an example of traditional land management through prescribed burning, which has been used for thousands of years by Indigenous communities.)
"Another way in which Solarpunk can benefit from Indigenous perspectives is through the recognition of Indigenous sovereignty and land rights. Indigenous communities have often been at the forefront of environmental and social justice movements, fighting for their right to self-determination and protection of their land and resources. Incorporating these struggles and perspectives into Solarpunk can promote a more just and equitable society, where Indigenous communities are recognized and respected.
"Incorporating Indigenous perspectives into not Solarpunk not only enriches the genre, but also offers a new way of looking at our relationship with the natural world. By acknowledging the inherent value of nature and the interconnectedness of all living beings, we can begin to shift away from the exploitative mindset that has led to so many of the ecological and social problems we face today. This approach aligns with Indigenous ways of knowing, which recognize that humans are not separate from nature, but rather a part of it. By centering community and nature-based approaches in Solarpunk, we can address key problems such as climate change, environmental degradation, social inequality, and colonialism, and move towards a more sustainable and just future.
"One potential challenge in incorporating Indigenous perspectives into Solarpunk is the risk of cultural appropriation and tokenization. It is important to acknowledge and respect the sovereignty and agency of Indigenous communities and not simply use their perspectives and knowledge for the benefit of non-indigenous individuals or groups. This means engaging in meaningful and respectful collaboration with Indigenous communities, listening to their perspectives, and ensuring that they have agency and control over how their knowledge is used and shared. By centering Indigenous sovereignty and respecting Indigenous knowledge, Solarpunk can move towards a more ethical and just approach to sustainability and renewable energy.
"In conclusion, incorporating Indigenous perspectives into Solarpunk can lead to a more holistic and community-based approach to sustainability and renewable energy. By recognizing the importance of community and connection to the environment, and incorporating traditional ecological knowledge and Indigenous sovereignty, Solarpunk can offer solutions to contemporary and environmental and social challenges. By promoting collective well-being and prioritizing regenerative practices, Solarpunk can lead us towards a more equitable and just future."
The Programme for the Joint International Workshop "Global Infrastructures: Aesthetic Power and Affective Networks in the (Post-)colonial Present", which we will host on 28 November, is now on our website.
https://ihc.fcsh.unl.pt/en/events/global-infrastructures-2024/
&"This All Come Back Now", edited by Mykaela Saunders is a 2022 anthology of #FirstNations #SpeculativeFiction by 22 #Aboriginal & TorresStraitIslander writers! Read how they subvert Western rationalism in imaginative ways & reclaim & tranform the #specfic genre
The book "Globalizing Independence Struggles of Lusophone Africa: Anticolonial and Postcolonial Politics", edited by Rui Lopes and Natalia Telepneva, will be presented at NYU's The Remarque Institute on 15 November at 2:30PM (NY) / 4:30PM (Lisbon).
Zoom streaming is available upon registration.
https://ihc.fcsh.unl.pt/events/globalizing-independence-nyu/
Curator & writer Rasha Salti discusses her research methodology on unearthing images in postcolonial analysis. From modernism to the Arab Spring, she reinterprets key dates, narratives of the East/West, and hidden leftist discourses through artistic production. https://rwm.macba.cat/en/podcasts/sonia-203-rasha-salti-2/
The latest issue of the e-Journal of Portuguese History, in a dossier dedicated to independence in the Portuguese-speaking world, includes two articles by IHC historians: Zélia Pereira discusses the self-determination of #EastTimor, while Aurora Almada e Santos analyses the case of #CapeVerde.
https://brill.com/view/journals/ejph/21/2/ejph.21.issue-2.xml
Julius-Amédée Laou - a Fanonian cinema
Streaming now on the Criterion Channel is a collection of films by writer and director of stage and screen Julius-Amédée Laou, a body of work clearly influenced by the thought of Fanon. Like Fanon, Laou is Martiniquais-French; like Fanon, Laou is concerned with the reclamation of a Black consciousness out of the psychic ruination of colonialism.
The series consists of two shorts and two features, all of which were shot in the 1980s except for the final feature, a DV experiment from 2002. Each film is a search for the "Black skin" obscured behind the "white masks" of postcolonial existence. Revolutionary disillusionment, wedding party disasters, urban folk magic, visitations from ancestors and restless spirits; all set against the chronic racism of liberal Paris.
A search of the anglophone internet turns up little on this artist, beyond breadcrumbs and a couple of announcements for repertory screenings of the restored transfers of these films. This streaming collection is a good opportunity to explore one of the less-traveled alleyways of postcolonial cinema
https://www.criterionchannel.com/directed-by-julius-amedee-laou
The call for papers for the Joint International Workshop "Global Infrastructures: Aesthetic Power and Affective Networks in the (Post-)colonial Present", which we will host in Lisbon on 28 November, is ongoing until 30 September.
https://ihc.fcsh.unl.pt/en/events/global-infrastructures-2024/
The call for articles for the Práticas da História dossier coordinated by João Pedro Lourenço and Maria da Conceição Neto closes on 31 July: "History and memory: an epistemological re-reading of Africa's past in a post-colonial context".
Did you know about the little house in York which connects the city to the anti-slavery movement? Find out more, here.
The call for papers for the dossier coordinated by João Pedro Lourenço and Maria da Conceição Neto for the journal Práticas da História is in progress: "History and memory: epistemological re-reading of Africa's past in a post-colonial context".
Proposals (max.500 words) must be submitted by 31 July.
Práticas da História has new call for papers open: João Pedro Lourenço and Maria da Conceição Neto are coordinating the dossier "History and memory: epistemological re-reading of Africa's past in a post-colonial context".
Proposals (max.500 words) must be submitted by 31 July.
Tomorrow we will host the new Joint International Workshop with the Centre for Postcolonial Studies from Goldsmiths, University of London, dedicated to anti-colonial history and postcolonial legacies.
Yuri Slezkine (University of California, Berkeley) will be the special guest of this first meeting.
Attendance is free.
https://ihc.fcsh.unl.pt/en/events/anticolonial-history-2024-01/